Tuesday, March 3, 2015

Jazz Samba Featuring Charlie Byrd and Stan Getz



Jazz Samba is a bossa nova album by Stan Getz and Charlie Byrd, released on the Verve label on April 20, 1962. Jazz Samba was the first major bossa-nova album on the American jazz scene. Wikipedia
 
To purchase this gem click the picture or this link : Jazz Samba

Thursday, February 26, 2015

Jazz: A History of America's Music



Continuing in the tradition of their critically acclaimed works, Geoffrey C. Ward and Ken Burns vividly bring to life the story of the quintessential American music—jazz. Born in the black community of turn-of-the-century New Orleans but played from the beginning by musicians of every color, jazz celebrates all Americans at their best.

Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; 

Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether.

 Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others.

For more information or to purchase click on this link or the picture above:
Jazz: A History of America's Music

Monday, February 23, 2015

Save the memories of your favorite jazz moments...


Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD and EF24-105mm IS Lens Kit


  • 20.2MP full frame CMOS sensor
  • 4.5 frames per second continuous shooting
  • 1080p HD video recording with manual controls
  • 11-point AF system
  • 3 inch LCD with 1,040,000 dots
  • SD Memory
  • DIGIC 5+ processor
  • ISO 100 - 25600 plus 50, 51200, 102400 expanded

Reasons to buy

  • Excellent JPEG and Raw file output across ISO range
  • Class-leading low light focus sensitivity (from central AF point)
  • Good range of video shooting and control options
  • Quick Control menu provides easy access to shooting settings
  • Wi-Fi-enabled remote camera control via smartphone or tablet.
Click on the camera for more to purchase or more information...

Sunday, February 22, 2015

Ernestine Anderson Swings The Penthouse


 From tender and soulful to hard-edged and gritty, Ernestine Anderson is one of the most versatile jazz vocalists to emerge from the big band era. During the course of her 50-year career, Anderson has captivated audiences in America and abroad with her tantalizing voice and charming stage presence. On November 11, 1928,

Ernestine was born, singing the blues. At age three, she could sing along with the raw tunes of the legendary Bessie Smith -- she soon moved on to the more refined environs of her local church, singing solos in its gospel choir. After winning a regional talent competition at the age of 12, the precocious singer landed a gig with trumpeter Russell Jacquet's big band...

Click On The Picture To Purchase: "Ernestine Anderson Swings The Penthouse"

To enjoy the rest of this article click the link below:
http://www.npr.org/programs/jazzprofiles/archive/anderson.html

Money Jungle: "Provocative in Blue" By Terri Lyne Carrington



Click On The Picture To Purchase: "Money Jungle:Provocative in Blue" By Terri Lyne Carrington

Spotlight Jazz Presents: Ron Carter

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“Ron Carter is living proof that integrity and clarity
of artistic vision are alive and well in … jazz.”
John Snyder, Em Arcy
BASSIST
Walk or wander into the world of jazz. Ron Carter is there. His reputation in the
music world is peerless. He stylishly accompanies any player or group and, without
breaking stride, performs with stunning virtuosity as a soloist. His work is rich
in detail, pure in sound, and technically impressive. His long list of accolades as a
performer is unprecedented; he may be the most popular bassist there is.

A lean six feet four inches with a mixture of pride and courtliness, Ron displays an
elegant calm on stage as well as off. He has created music with consummate skill for
more than forty-fi ve years, apparently without rumpling his tasteful suits or raising
a serious sweat. In the early 1960s, he performed throughout the United States in
nightclubs and concert halls with Eric Dolphy, Jaki Byard, and Wes Montgomery, then
toured Europe with Cannonball Adderley. He was a member of Miles Davis’s now
classic quintet from 1963 to 1968, along with Herbie Hancock, Tony Williams, and
Wayne Shorter.

Ron_Carter_photo_1
Ron was among the few bassists who continued to play acoustic bass when many
turned to electric bass. “It was a conscious choice,” he says. “I felt a responsibility to
present a viable alternative to the popular electric sound.”
One of Ron’s chief traits is that he creates bass lines so harmonically and rhythmically
rich that soloists must go far to respond to his challenge. As he puts it: “A good bassist
determines the direction of any band.” Often Ron uses gonglike tones and glissandos
in his work. Once his exclusive trademark, these sounds have now become part of
every modern bassist’s vocabulary.

When he first formed his own group, the bass was not generally considered a lead
instrument. Ron found a solution in the piccolo bass, an instrument one-half the size
of a standard bass. He tuned the instrument so as to foster an unusual sound quality,
one that stands out in an ensemble. Backed by a quartet of piano, drums, percussion,
and an additional bass, Ron created one of the most distinctive and unusual jazz
combos ever heard.

COMPOSER/ARRANGER/AUTHOR
Ron Carter won a Grammy award in 1988 for the instrumental composition, Call
Sheet Blues, from the fi lm ‘Round Midnight. He scored and arranged music for a number
of other fi lms including The Passion of Beatrice, directed by Bertrand Tavernier; Haraka,
directed by Ola Balugun; and for the television movies Exit Ten, starring Peter Weller;
and A Gathering of Old Men, starring Richard Widmark and Louis Gossett Jr.
Ron is the author of Building Jazz Bass Lines, a series of books on playing jazz; a
Comprehensive Bass Method, for classical bass studies; Ron Carter, Bass Lines; and The Music
of Ron Carter, which contains 130 of his published and recorded compositions.
Photo by Arthur Elgort
“…his music embodies all the qualities that
make jazz an enduring, vital art form.”
–Stereo Review
ron-carter










To continue reading this article about Ron Carter click this link: RCarterPressKit

For more information, please contact:
THE BRIDGE AGENCY
JoAnne Jimenez
35 Clark St. Ste. A5
Brooklyn, NY 11201 USA
Tel: 718-522-5107 Fax: 718-522-3067
Email: bridgea@earthlink.net
Photos by Yasuhisa Yoneda
 

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To read the entire article , click here:Laptop Buying Guide